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Archive for May, 2010

Made over (2010) Ron Diorio
Made over (2010)

Over the weekend I was introduced as a “film maker” and artist for the first time. The first thing I was asked was “what kind of films do you make?” An awkward answer followed “FelliniMarkerPasoliniBurns”. So I spent some time this early morning trying to put words to an introduction about What I did during the war for the exhibition and I came across the following:

From The Personal Camera: Subjective Cinema and the Essay Film by Laura Rascoroli

Images are transformed into image-memories by means of the moving gaze of a film camera, music, sound effects, text, or a narrator who interprets what we see, or suggests what the images fail to show. In this context of creative deconstruction and re-framing, taken-for-granted notions of transparency, photographic realism, and narrative re-inventions of the past are being questioned.

That does it, I am an essayist!

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Sexting (2009) Ron Diorio
Sexting (2009) Ron Diorio

From the Art Newspaper

After inspecting the two works in question, Flynn said: “My assessment is that Whip Girl [2000] is acceptable, but I have some concerns about Tite Street [1990]. [It] appears to show a man having rear entry sex with a woman who is bent double and not wearing any knickers. Of course, this is not the appropriate place to have a debate about art versus pornography. It is my assessment that Tite Street should not be able to be clearly viewed from the street.”

The Little Black Gallery is not the only establishment currently displaying Carlos Clarke’s work. Celebrity chef Marco Pierre White owns the largest single collection of the controversial photographer’s work, and more than 30 of his large-scale images are prominently displayed in the chef’s restaurant Wheeler’s of St James’s. The explicit subject matter of the works has received a far more welcome reception here than in formerly bohemian Chelsea. Hostess Bea Jarrett told The Art Newspaper that not a single complaint about the photographs has been received in the two years since they have been on display. “I guess that says a lot about our clientele too,” she added.

I guess I know where I am having dinner next time I am in London.

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Loose change (2005) Ron Diorio
Loose change

From the Guardian: Exposed: Voyeurism, Surveillance and the Camera

Exposed is a show about the politics of looking – both through the lens and at the end result. The work is gathered under five themes related to the voyeurism of the lens: street photography, sexually explicit images, celebrity stalking, shots of death and violence, and surveillance.

Today, photography itself could be said to be under siege. We live in a digitally driven culture where everyone with a mobile phone is a photographer of sorts. Technology has freed us to bear witness, but it has also made voyeurs of us all.

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Recently I have found myself watching DVD commentaries of movies as the primary viewing experience. I never saw any of the Star Wars episodes in the movies and have no interest in watching them (until the kids ask). Any knowledge I have of them is sideways from marketing, endless re-showings and extensions I surf past on TV. However, I find this fan non-fiction work by John Powers to be a fascinating extension of two genres: fan fiction and personal essay/documentary. I can see myself exploring this format in the future as part of my own personal essay/documentary work.


Star Wars: An Artist Commentary – Introduction
Directed by John Powers with score by R. Luke DuBois.
May 20, 2010, 7:00 PM
Philoctetes Center, 247 82nd Street, New York, NY
Star Wars and Modernism: An Artist Commentary
Film Screening and Discussion

Thanks to Art Fag City for the original pointer.

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Another Monday in the Spotlight

Another Monday
Another Monday (2010) Ron Diorio

Another Monday was selected by Jodi Miller for the Utata Spotlight today. I have been fortunate to be featured a few times in the Spotlight. It is always special. The Utata community on Flickr have been long supportive of my body of work. I am very appreciative and honored.

Thanks Jodi

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